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Grace Latecomer乐队

Grace Latecomer乐队:

吉他:田辛
吉他:小潘
贝斯:陈一二
鼓:邱斌

2006年11月之前,Grace Latecomer只是非典型独立音乐爱好者、图形设计师、
器材发烧魔鬼、摇滚苏州网站始作俑者——田辛的个人创作代号,风格夹杂混
迹于Post-Rock与Noise之间,在四天昏天暗地的家庭式录音之后,于05年8月最
后一天发表了与无锡吉他手远程合作的第一张EP,广获国内INDIE界好评。07年
1月,随着同样酷爱Post-Rock/Shoegazine以及Sonic Youth乐队的吉他手小潘
、贝斯手陈一二正式入伙,并且以非人的手段强迫苏州著名景点--本土摇滚土
根据地后街酒吧BOSS邱斌以鼓手的面貌出现在大庭广众之下,Grace Latecomer
乐队2.0版本光荣诞生,风格游走于Post-Rock/Noise/Experimental之间,曾经
寂静温和的2500年古城姑苏从此不得安宁......
某年某月某日加入独立音乐厂牌Miniless弥勒唱片。
Grace Latcomer入选新茶网络音乐厂牌(neocha netlabel)首张唱片《Post-Rock》正式发行!

大事记/主要演出:
2002.3, 录制第一首DEMO,Grace Latecomer雏形形成。
2005.8.31,田辛以Grace Latecomer为创作代号的第一张ep以限量mini-cdr与
网络下载两种方式同时发行
2006.9接受中国国际广播电台CRI专访,作品及介绍于9.18在CHINA BEAT栏目中
播放。
2007.1 Grace Latecomer正式乐队阵容成立,以乐队形式进入第二波创作。
2007.2 作品Neither Here Nor There入选《我爱摇滚乐》第六十期,并接受杂
志专访。
2007.4.20 惘闻新专集巡演苏州专场暖场



官方网站 www.rocksuzhou.net/gracelatecomer
官方信息发布/论坛 Rock!Suzhou摇滚苏州[http://www.RockSuzhou.net]
MySpace http://www.myspace.com/gracelatecomer
新茶站点 http://www.neocha.com/gracelatecomer
豆瓣小组 http://www.douban.com/group/gracelatecomer

[ 本帖最后由 染指 于 2007-7-27 00:27 编辑 ]
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Grace Latecomer最新阵容完全手册

Grace Latecomer从06年11月18日全面由非乐队化的个人Project转入完整乐队形式。

至今只排练过两次,荣登The Best Lazy Band Of Suzhou宝座。



1月XX日第二次排练阵容(目前阵容)
Guitar/田辛(梵高高)
Guitar/小潘(Lap)
Bass/陈12(陈姨姨)
Drum/邱斌(Jhonny)

11月18日第一次排练阵容:
Guitar/田辛(梵高高)
Guitar/小潘(Lap)
Bass/陈12(陈姨姨)
Drum/艾平

05-06年非完整乐队阵容
Guitar/Bass/Drum/Sampler/Program/田辛
(梵高高)
Guitar/顾潜(Gugu1)

第一首乐队作品创作中。

我爱摇滚乐专稿撰文,转自摇滚苏州

Here comes the Grace latecomer!
(来者何人?Grace latecomer!)




作者:gugu1


     这年头,一支乐队有人吹捧侥幸还能红上一阵,若没人吹捧,几乎连红的可能都没有。更何况,这支乐队一直偏安于中国不怎么“摇滚”的南方,而且深陷温情似水的苏州,既不结识孙孟晋,又不为张晓舟所知。只幸得国内一众听post-rock的文艺青年心赏识。而post-rock在国内又是摇滚中的异类,无奈,难得有机会自吹自擂一把,不吹显得有些假模假式,吹了聊算是“为形势所逼”吧。

好在,这支乐队不乏卖点。

卖点一:Grace latecomer不是支乐队
      2006年11月前,Grace Latecomer仅是非典型摇滚青年田辛的一个个人创作代号。田辛何许人也? 82年生人,自幼习画,江南大学(原无锡轻工大学)设计学院毕业, 苏州一家设计STUDIO的主创,“摇滚苏州网(www. rock.suzhou.net)”的始作恿者,狂热过度的摇滚乐迷,同时身兼造音人身份,以制造古城的不和谐音为己任。 其个人成长经历、相关摇滚业绩罄竹难书,详见文末链接以及官方网站。
      在录制第一首DEMO和出第一张EP时,Grace Latecomer曾有位“似是而非”、“若即若离”的吉他手顾潜。临近城市无锡人,日常身份是一家报纸的编辑,业余更热衷于以网名gugu1在网络发表些爵士和摇滚乐评,写过一个《爵士乐简史》,并一直断断续续地翻译着一本名为《JAZZ STYLES history and analysis》的书,没完没了。
     除此外,06年11月之前,Grace latecomer从未正儿八经像支乐队过。没有主唱、没有鼓手、没有贝司手,没有一次象样的排练、也没有现场演出。 很多后摇乐迷急切地询问哪里能看到grace latecomer的现场,得到的总是模棱两可的回复——在苏州能看到。没有具体时间,没有具体地点,因为这是一个田辛自己都无法回答的问题。大多时候,只是田辛在一大堆效果器间入定沉思,轮番用Fender、Gibson吉他记录下一个个转瞬即逝的动机,之后输入苹果电脑,用软件一遍遍尝试各种可能性。 因此,每回田辛招呼吉他手顾潜赶来效力时,他面对的多半已是成品。碰上运气好,或许还能给作品搞些音效噪声,修修边角什么的,大多时候都是无事可干,一块上街淘淘碟、吃吃饭罢了。
      鉴于现场需求增大,形式严峻,06年11月后此情况得到部分改善,贝斯手陈一二和吉他手潘宏宇鼓手邱斌入伙,决定共同在姑苏城内制造噪音阴谋。

卖点二:设计+摇滚=后摇滚
      田辛的专业是graphic designer,通俗点讲是平面设计师,时尚点讲是图形设计师,草根点讲是美工,但无论怎么讲,都和音乐挂不上号,据说苏州隔壁的上海摇滚圈有三分之二强都是靠广告业、设计业谋生,看来田辛又紧随海派潮流,赶了次时髦。“以视觉设计的思维及创作方式建构摇滚”。是田辛对自己创作方式的梳理结论。以时间为画板,以动机、音符为元素,以软件为调色板,将素材叠加、拼贴、排列并且结构化,在尝试的过程中寻求最完美的方案,这个过程和设计的创作极其类似,就如同将图形元素按照一定的美学结构摆放到画板上一样。田辛对后摇滚的创作方式还有另外一种诠释-后摇滚是用电子乐的创作方式驾驭传统摇滚乐的乐器 ,淡化传统的ab结构,采用更自由的形式,噪音和乐音同时作为音乐的素材(如音墙)平等对待。

卖点三:叫好者甚
      国际广播电台China Beat,IndieChina网站,一捷克网站、若干个post-rock铁杆乐迷撰写乐评纷纷叫好, 还侥幸成为wekipedia维基百科list of post-rock bands后摇滚乐队列表中曾经的唯一一个中国大陆乐队,;说坏的暂时未见, 在这个国度,要有人骂你绝对是抬举你,Grace latecomer还未混到那份上。

卖点四:Grace latecomer自问自答
Gugu1:凭什么叫Grace Latecomer?学人家走国际路线?
田辛:冲出亚洲,走向非洲。

Gugu1:怎么接触到后摇滚的?
田辛:2002年10月,发现了soulseek软件,贪婪地下载了近100g的mp3,接触到了被当时国内主流媒体所忽略的一大批indie rock/post- rock乐队,在聆听了几千张唱片之后,顿悟到了Grace Latecomer的前行方式,情绪化,氛围化,含蓄与爆发并存, 用音色而非音符编织音乐的结构,并且忽略传统摇滚乐的演奏技巧。后摇滚给了我方法,我学会了以意识/概念主宰音乐的结果,而不是单纯技巧。 但是动机/素材/经验本身的来源却是多元化的。

Gugu1:现在连公认的提琴后摇大牌dirty three提及“后摇”两字时都急于与这种风格划清界限,Grace Latecomer有没有因此而苦恼?
田辛:很遗憾,其实我们考虑的问题并非是否“后摇”,我们的终极目的是做到“非摇”,我们希望我们的音乐和摇滚乐代表的典型反抗态度无关,而只是作为另一种形式的娱乐来挥霍我们多余的精力。所以,定位对我们来说永远不重要,我们也不会为是否“后摇”而苦恼,我们更不会尝试去无限接近所谓“后摇”的行业标准。 只不过作品流通的时候我们必须为自己的音乐贴一张标签,以让听众快速根据标签做出判断,但标签的选择范围极其有限,我们迫不得已选择了“后摇滚”罢了。我们的新任吉他手潘宏宇将“爵士乐”归纳为“你觉得是,它就是”,后摇滚也一样,拘泥于是否“后摇“本来就很荒唐。我们在私底下还是Punk/Jazz/Blues/Folk/Classic Rock/Indie/Noise/No Wave/Shoegazing等等乐种的信徒,所以Grace Latecomer的作品是真正的杂种,我们不想搞正统的ab结构的摇滚乐,我们为不确定性而亢奋。

Gugu1:首张ep是如何诞生的?
田辛:一间卧室,一台笔记本,一块蹩脚m-audio声卡,一把fender,一块gt2,一台me-50,一个键盘, 一个永远懒得记音阶的所谓吉他手,披挂上阵,四天,外加一个无锡流窜至苏的吉他手润色,一张真正的Room Record.

Gugu1:中国摇滚为何无法更主流化一些?
田辛:除去一直被很多乐队当成借口、都快说得没意思的体制原因外,可能还有些“个性(严肃)有余,性感不足”吧。要是出现一支国内乐队能有滚石或者Green Day十分之一般的性感,市场肯定会好得多。哪怕范海伦也好,呵呵。

Gugu1:下张EP什么时候出?
田辛:天知道。

Grace Latecomer及摇滚苏州登陆中国国际广播电台CRI

电台:中国国际广播电台CRI
栏目:China Beat
播出时间:2006.09.18
专题:China Post-rock Fest

Grace Latecomer接受国际广播电台China Beat专访,作品在9月18日中作为China Post-Rock Fest专题播出,Rock!Suzhou摇滚苏州的名字也出现在节目中,成为CRI有史以来在节目中现身的第一个区域型摇滚音乐网站。

在线收听:


音频下载:http://www.rocksuzhou.net/upload/GraceLatecomerCRIprogram.wma

文字:

Hello and welcome to this edition of China Beat on China Radio International. Our show always tries to introduce you to the most interesting and promising music scenes now developing in China. And, today is no exception, as we'll focus on several post-rock bands from across the country.

We've already introduced three Chinese post-rock veteran bands in one of our shows. They were Godot from Shanghai, The Unknown Band, or simply Wang Wen from the coastal city of Dalian, and Taiwan post-rock pioneer Sugar Plant Ferry. Today let's continue with more stories of this musical circuit making its way throughout China. But before that, let's take a quick look at the post-rock genre itself.

The term post-rock refers to the dominant form of experimental rock found in the 1990s. It mainly describes music that uses rock instrumentation for non-rock purposes. Guitars are facilitators of timbres and textures rather than riffs and power chords. In other words, post-rock musicians make use of old instruments along with electronic devices to achieve brand new sounds and arrangements. Another distinguished characteristic of post-rock music is that it is usually instrumental. Even if it does employ vocals, the vocals are often incidental to the overall effect.

Anyways, definitions can only describe the sound. They can never be as powerful as hearing the music itself.

Welcome back. And now, the last post-rock band we'll cover today is Grace Latecomer, from Suzhou in Jiangsu Province. Here, a young man named Tian Xin has tried to make a one-man-band legend by starting his own personal post-rock band Grace Latecomer. He alone is responsible for all of the instruments and electronic sound effects found in the band's music. Now, let's check out one of the songs from his self-released EP. This song's entitled "82 Umbrellas."

This is the song "82 Umbrellas" from the previous noise maniac Tian Xin's one-man-band Grace Latecomer. About one year ago, Grace Latecomer released its first EP. It was available in both a limited CD-R format, and via free download at the band's official website, that is, www.rocksuzhou.com. One thing that must give Tian Xin inspiration to keep doing what he's doing is that the website Wikipedia has included Grace Latecomer in its list of post-rock bands, making them the first post-rock band from China on the list. In March of this year, Tian Xin already started to write new songs for his next collection of works. He wishes to cooperate with other musicians and create a relatively full lineup for his band. In this way, he hopes to be able to play his music for live audiences who enjoy Grace Latecomer's specific blend of post-rock.

Well, we've now come to the end of today's China Beat on China Radio International. If you have any comments about today's post-rock fest, please  mail us a letter to: English Service, China Radio International, Beijing, China, with the postal code 100040. You're also welcome to visit our website at www.crienglish.com. Go to the "audio" page and check out the China Beat column, where you can find out more information about this week's China Beat, and listen to past editions online.

Thanks for listening. I'm your host Xu Jue leaving you with the song "Neither Here Nor There." Hope you'll come here and listen to our show next time. Good luck! See ya!



Grace Latecomer入选Wikipedia之List of Post-rock Bands

Grace Latecomer入选Wikipedia之List of Post-rock Bands

Wikipedia是全世界最大的互动百科网站.
Grace Latecomer于近日被国外Wikipedia国外作者登录至其中的List of Post-rock Bands一栏,目前暂时是该LIST中唯一的中国大陆后摇滚乐队.


glwiki.jpg (12.2 KB)
2006-7-10 12:09 PM



附全名单:

List of post-rock bands
From Wikipedia, the free encyclopedia
(Redirected from List of post rock musicians)
Jump to: navigation, search

List of post-rock bands:
Contents

    * 1 0-9
    * 2 A-C
    * 3 D-G
    * 4 H-L
    * 5 M-Q
    * 6 R-T
    * 7 U-Z

[edit]

0-9

    * 1 Mile North
    * 1-Speed Bike (Canada)
    * 2 By Bukowski (Greece)
    * 33.3
    * 4 glasses of tap water (Italy)
    * 65daysofstatic (England)
    * 8mm Sky (Taiwan)
    * 90 Day Men
    * .tape.

[edit]

A-C

    * A Minor Forest (United States)
    * A Northern Chorus (Canada)
    * A Silver Mt. Zion (Canada)
    * Acetate Zero
    * Add N to (X) (England)
    * Adios, Junio
    * Aether
    * Ahleuchatistas
    * Akira
    * The Album Leaf (United States)
    * All Angels Gone
    * A.M.
    * Amador
    * Amiina (Iceland)
    * Amundsen
    * Ana Never (Serbia & Montenegro)
    * Anoice
    * Antarcticans
    * Aphasia (Taiwan)
    * Apostle of Hustle (Canada)
    * Apres (AR)
    * Apse
    * Arca
    * Arrive Alive
    * ...as the Poets affirm
    * Au4 (Canada)
    * Audrey (Sweden)
    * Austin TV
    * Bark Psychosis (England)
    * Battles (United States)
    * Because of Ghosts (Australia)
    * Bell Orchestre (Canada)
    * Below The Sea (Canada)
    * Beyond this point are Monsters (England)
    * Black Ox Orkestar
    * Blanched
    * Blueneck
    * Boards of Canada (Scotland)
    * Bossk (England)
    * Boxhead Ensemble
    * Boy in Static
    * Brass Knuckle Surfer
    * Brice-Glace
    * Bright Red Paper (United States)
    * Brokeback (United States)
    * Broken Social Scene (Canada)
    * By The End of Tonight
    * Caspian
    * the Cathode Ray Syndrome*
    * Cats and Cats and Cats
    * Cheval de frise (France)
    * Chicago Underground Duo
    * The Cinematic Orchestra (England)
    * City of Caterpillar
    * Collections of Colonies of Bees
    * Corleone
    * Couch
    * Could've Moved Mountains (Australia)
    * Cries Into Fires
    * Cul de Sac (United States)

[edit]

D-G

    * Damn Dirty Apes (Malaysia)
    * Day For Airstrikes (England)
    * De portables (Belgium)
    * De Trop
    * Del Rey (United States)
    * Der goldene Schnitt
    * Destroyalldreamers (Canada)
    * Detwiije (England)
    * Dianogah (United States)
    * Disco Inferno (England)
    * Dirty Three (Australia)
    * Do Make Say Think (Canada)
    * Don Caballero (United States)
    * Dont Look Back (France)
    * The Dragon Rapide
    * Dreamend (United States)
    * Drums and Tuba
    * The Edmund Fitzgerald
    * Ef (Sweden)
    * Efterklang (Denmark)
    * El Camino
    * El Ten Eleven
    * Electrelane (England)
    * Ellis the Vacuumchild (Sweden)
    * Elf Fatima (Hong Kong)
    * Eluvium (United States)
    * en Filora
    * Escape The Day (Germany)
    * Esmerine (Canada)
    * Estupendo (Argentina)
    * The Evpatoria Report (Switzerland)
    * Explosions in the Sky (United States)
    * Fight Fire with Water
    * Fly Pan Am (Canada)
    * Flying Saucer Attack (England)
    * Fonoda (Germany)
    * The For Carnation (United States)
    * Foxhole
    * French Teen Idol (Rome, Italy)
    * Friends in the Mountains
    * Friends of Dean Martinez (United States)
    * Fridge
    * From The Sky
    * Gardenbox (Greece)
    * Gastr del Sol (United States)
    * Geezer Lake
    * Ghosts (Great Britain)
    * Giardini di Miro (Italy)
    * God is an Astronaut (Ireland)
    * Godspeed You! Black Emperor (Canada)
    * Grace Cathedral Park
    * Grace Latecomer (China)
    * Gregor Samsa (United States)

[edit]

H-L

    * Hammock
    * Hangedup
    * Hej, Poni! (Serbia & Montenegro)
    * Hidden In Buildings (Canada)
    * High Dependency Unit
    * Hood (England)
    * hotel, hotel
    * Hrsta(Canada)
    * Hydrogen Party
    * The Hylozoists
    * i (Portugal)
    * iLiKETRAiNS
    * Indotdat
    * iREPRESS
    * Isis (United States)
    * Isotope 217
    * Item (Germany)
    * Jackie-O Motherfucker
    * Jakob (New Zealand)
    * Japancakes (United States)
    * Japandi
    * Jeniferever (Sweden)
    * Jet Black Crayon
    * Jullander
    * June of 44 (United States)
    * Karate (United States)
    * Kayo Dot
    * Kill Hannah
    * Kill the zodiac (New Zealand)
    * Kimtak Building (Hong Kong)
    * Kunek
    * Labradford (United States)
    * Laeto (Scotland)
    * Lanterna
    * Last Vote (Switzerland)
    * Lenore (Brazil)
    * Lift To Experience (United States)
    * Ligeti
    * Loss of a Child (England)
    * Lullatone (Japan)
    * Lumen

[edit]

M-Q

    * Magyar Posse (Finland)
    * Malduit (United States)
    * Martian Death Lyric (United States)
    * Maserati (United States)
    * Maybeshewill (England)
    * Meanwhile, Back In Communist Russia... (England)
    * The Mercury Program (United States)
    * Message To Bears (England)
    * Migala (Spain)
    * Milhaven (Germany)
    * Nipples (Taiwan)
    * Mogwai (Scotland)
    * Moly (England)
    * Mon (France)
    * Mono (Japan)
    * Mono (Netherlands)
    * Monopot (Norway)
    * The monroe transfer (England)
    * Mortimur (United States)
    * Motionless (United States)
    * Moving Mountains (United States)
    * Mountain Men Anonymous (Wales)
    * Mum (Iceland)
    * Murder By Death (United States)
    * The New (Australia)
    * No Dyxon Face
    * Northvia (United States)
    * Now Is Not The Time To Panic (Scotland)
    * Occasion (United States)
    * Ocelot
    * The Octopus Project (United States)
    * The Oktober People (United States)
    * On! Air! Library! (United States)
    * Os Telepatas (Brazil)
    * Ostinato (United States)
    * Our Last Hope Lost Hope (Sweden)
    * Pan Sonic (Finland)
    * Part Rocket (England)
    * Pele (United States)
    * Pelican (United States)
    * Piano Magic (England)
    * Pillow
    * Pit Er Pat (United States)
    * Port Elizabeth (Wales)
    * Port-Royal (Italy)
    * Pram (England)
    * Purr (France)
    * Quack Quack (England)
    * Quebec (Australia)

[edit]

R-T

    * Rachel's (United States)
    * Radarmaker
    * Red Sparowes (United States)
    * Rodan (United States)
    * Room 204 (France)
    * Rothko
    * Rumah Sakit
    * Russian Circles (United States)
    * Salvatore (Norway)
    * The Samuel Jackson Five (Norway)
    * Saso (Ireland)
    * Saxon Shore (United States)
    * Scraps of Tape (Sweden)
    * The Sea and Cake (United States)
    * The Sea, Like Lead
    * Season
    * Seefeel
    * Seidenmatt (Germany)
    * Selfkill (Taiwan)
    * September Malevolance (Sweden)
    * Set Fire to Flames (Canada)
    * The Seven Mile Journey (Denmark)
    * Shalabi Effect (Canada)
    * The Sheep Fiends
    * Shipping News (United States)
    * Sickoakes (Sweden)
    * Sigur Ros (Iceland)
    * Silence Kit(Russia)
    * Silo
    * The Six Parts Seven (United States)
    * Slint (United States)
    * Solomon: As Pilot
    * Sound of Seventy Three (United States)
    * Souvaris
    * Sparrows, Swarm and Sing!
    * Stars of the Lid
    * Stars Like Fleas
    * Steganography
    * Stereolab (England)
    * Subtract By Two
    * Sugar Plum Ferry (Taiwan)
    * Sweek (Belgium)
    * Sweep the Leg Johnny
    * Swimming With Ghosts
    * Symmetry (England)
    * The Swords Project (United States)
    * Talk Talk (England)
    * Talkdemonic (United States)
    * Tarentel
    * Te' (Japan)
    * The Technoillogical Myopia
    * Tena Novak (Croatia)
    * Tin Pan Alley (Taiwan)
    * This is a Process of a Still Life
    * This is Your Captain Speaking (Australia)
    * This Sea Reflects Stars
    * This Will Destroy You (United States)
    * The Timeout Drawer
    * Theta Naught
    * Time.Space.Repeat.
    * Timonium
    * Tired Irie
    * To a God Unknown (Taiwan)
    * Toe (Japan)
    * Toman
    * Tomcat Combat
    * Tommy Guerrero
    * Tortoise (United States)
    * Trans Am (United States)
    * Travesti (Argentina)
    * Tristeza (United States)
    * Tuatara
    * Tuna Laguna

[edit]

U-Z

    * Up-C Down-C Left-C Right-C ABC + Start
    * Una Corda
    * Unhome (England)
    * Unwed Sailor
    * Valley of the Giants (Canada)
    * Vehicle
    * Verticals
    * Victoria Mil (Argentina)
    * Vidavox
    * The War Upstairs
    * We vs. Death (Netherlands)
    * What the Blood Revealed (Scotland)
    * Wind-Up Bird
    * The Window Room
    * Windsor For the Derby
    * Wood and Wires
    * The Workhouse
    * World's End Girlfriend (Japan)
    * Xiu Xiu (United States)
    * yndi halda (England)
    * Youth Pictures of Florence Henderson
    * Zelienople
    * Zoppo
关于

Grace Latecomer现今完整乐队形式阵容(From 11.18.06)
Guitar:田辛
Guitar:小潘
Bass:陈一二
Drum:艾平


Grace Latecomer录音室乐队形式曾经阵容(Before 11.18.06,第一张EP时期)
Guitar/Bass/Drum/Programing:田辛
Guitar:顾浅


主页/联系方式:
官方网站 http://www.GraceLatecomer.com(06年8月起暂时改为www.rocksuzhou.net/gracelatecomer)
官方信息发布/论坛 Rock!Suzhou摇滚苏州[http://www.RockSuzhou.net]
MySpace http://www.myspace.com/gracelatecomer


大事记/主要演出:
2002.3, 录制第一首DEMO,Grace Latecomer雏形形成。
2005.8.31,以Grace Latecomer为创作代号的第一张ep以限量mini-cdr与网络下载两种方式同时发行,官方网站www.GraceLatecomer.com同时上线(06年8月起暂时改为www.rocksuzhou.net/gracelatecomer)
2005.12.31,以音乐人身份参加苏州[狗吃鸡艺术大展]
2006.11.18,小潘/陈一二/艾平加入成为完整乐队,以乐队形式进入第二波创作。




Guitar:田辛
  田辛,06年11月之前以Grace Latecomer作为个人创作代号(现已成为完整乐队),82年生人,自幼习画,江南大学(原无锡轻工大学)设计学院毕业,GRAPHIC DESIGNER,苏州聚英堂设计顾问工作室创办人,Rock!Suzhou摇滚苏州网创立者,狂热过度的苏州摇滚演出组织参与人,同时身兼造音人身份,以制造古城的不和谐音为己任。
  酷爱INDIE-ROCK/POST-ROCK,并且常常与CLASSIC ROCK/BLUES ROCK等其他乐种纠缠不清。
  从2005年开始,田辛以Grace Latecomer为代号进行后摇滚创作,在乐手匮乏情况下不得不包揽吉他/贝斯/鼓/采样部分,第一张EP于05年8月31日发行,其中NEITHER HERE NOR THERE一曲中部分吉他为好友兼乐评人人顾潜(GUGU1)奋不顾身前来相助所录,得以润色不少。
  Grace Latecomer独自继续前行之余,田辛已与苏州为数不多的后摇滚爱好者贝斯手陈逸漪组成新的造音组合,无锡的GUGU1也依旧会前来助阵,共同制造非和谐之音,未来的风格走向充满变数,

田辛(Grace Latecomer)个人经历:
  1997,被以清醒乐队/摩登天空为代表的北京新声招安,踏上摇滚贼船;
  1998,深受杨波主编的《朋克时代》影响,内心世界与曾经的三好学生渐行渐远,kurt cobain,sex pistols等奇怪的名字不厌其烦地挂在嘴角;
  1998,高二拜读郝舫《灿烂涅磐》,血脉膨胀,遂于寒假/大年初二说服父母陪同至上海第一百货购得第一把电吉他,上海产,先歌牌,850元整,而后得到第一块效果器,开始了噪音制造的漫漫旅途;
  1998,偶得radiohead的经典《ok!computer》,颠覆了之前对摇滚音乐的理解,开始迷恋音色和结构;
  2000,考入江南大学设计学院广告学专业,结识了中文系的吉他手顾潜,交流频繁。
  2002.3,时读大二,得到一台蹩脚YAMAHA RY9鼓机,解决了缺乏合适的贝司手与鼓手的问题,在两个夜晚的捣鼓之后用价值150元的复读机录制了第一首纯器乐DEMO,好友顾潜则为这首DEMO注入了贯穿全曲的美妙回授与噪音,偶然地颠覆了传统摇滚乐的结构,使这首处女作诡异地同时夹杂着后摇滚/NO WAVE/NOISE/BRITPOP的某些特质,在这之后,作为一场奇妙的音乐游戏的开端,Grace Latecomer前身成立。
  2002年10,安装adsl宽带之后意外的发现了soulseek这个p2p音乐共享软件,贪婪地下载了近100g的mp3,接触到了被当时国内主流媒体所忽略的一大批indie rock/post- rock等各种风格走向的乐队,在聆听了几千张唱片之后,意识到explosion in the sky/mogwai式的声音正是Grace Latecomer的前行方式——情绪化,氛围化,含蓄与爆发并存, 用音色而非音符编织音乐的结构,传统摇滚乐的演奏技巧被忽略,取而代之的是挖掘新的对声音控制的方式;
  2002-2004,期间制造了若干有趣无趣的小DEMO,无一例外的充斥着有违常理的吉他动机和噪音声响,但因顾潜工作繁忙并且缺乏其他志趣相投的合作伙伴,进一步的完善搁浅了下来。
  2003年4月,获选台湾第十二届时报广告金犊奖,投身于狂热的广告/设计运动,音乐活动暂停。
  2005.1-2005.5,毕业返回苏州后,购置了USB声卡/MIDI键盘后,在设计工作之余开始了以GRACE LATECOMER为代号的个人创作,以视觉设计的思维/创作方式建构后摇滚,完成了计划中发行的首张EP选曲的吉他/贝斯/鼓/采样以及GRAPHIC DESIGN。期间顾潜间断性的从无锡来到苏州,为单曲之一NEITHER HERE NOR THERE润色。
  2005.8.31,Grace Latecomer首张EP同时以限量100张的MINI CD-R和官网免费下载两种渠道发行。
  2005.9--2006.3,个人设计工作室[聚英堂设计顾问]成立,音乐创作活动暂息,但仍然不断地参与到苏州本地的摇滚现场演出活动策划与组织中,为全国乐队来苏以及本地乐队演出创作海报等视觉产品。
  2005.12.31,以音乐人身份参加苏州[狗吃鸡艺术大展]
  2006.4.15,主办大连惘闻乐队苏州专场演出,把后摇滚现场第一次带入了苏州,后现代美学与古典园林交锋。
  2006.6, 创立[Rock!Suzhou摇滚苏州]网站和社区,以行动改变苏州摇滚现状。
  2006.8,主办48V乐队南方巡演苏州专场
    2006.9,接受中国国际广播电台CRI专访,作品及介绍于9.18在CHINA BEAT栏目中播放。

  以Grace Latecomer为代号的个人创作也从06年三月份开始了全新作品的录制,并且有可能逐渐向一个完整形式的乐队进发。
爬行笔记
http://www.increep.com/bbs/thread-700-1-1.html
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